
Visualization
The Stories & Their Histories
The Wizard of 1:1:1
No. 1 Goal / Emerald City
Healthy Offline & Online
Great Time with Family
Paula Leggett Chase
Kyler Chase
Dashiell Chase
Great Time with Work
CHALLENGING, new, and exciting (puzzles)
Rewarding process & response (magic for artists & audience)
David Chase
Travel » history & languages
Honorary Tony Award » Living Legend
Health Insurance & Pension for Arrangers
DavidChaseMusic.com
Discoverable Library
Organized and easy to use (artist & audience)
Constantly adding new compositions & acquisitions
Shining a light for future storytellers (education/mentorship/activism)
No. 1 Audience / Glinda
David Chase (and his digital wellness)
Secondary = CHASE DAVID (Future Storytellers)
Tertiary = BILL GADIN (Past & Future Collaborators)
James Raitt
Casey Nicolaw
Rob Ashford
Kathleen Marshall
Judith Clurman
Essential Voices USA
Keith Lockhart
The Boston Pops
Bill Gaden
Concord Theatricals
Howard Drossin
No. 1 Self / Dorothy
DavidChaseMusic.com 🥹😍🤩
David Chase is living the dream! He gets to work with people at the top of their game: Schmigadoon, Maisel, Etoile, and more.
No one does exactly what David Chase does. His work is muscular — always carrying a strong point of view. He's the ultimate storyteller, hugely progressive in his politics. He thinks like a director, not just a musician - with meticulous attention to detail on musical or storytelling choices.
David tells stories through music. He knows how to build a number, bringing theatrical sensibilities to film, television, The Boston Pops, and even the choral world! His arrangements feel right and complete, transporting the audience on a journey – whether through joy, sadness, laughter, or revelation – making them different people by the end. He saves spirits through catharsis.
His music is classic and timeless, echoing the best of the late 40s/50s/early 60s when bandleaders and arrangers like Nelson Riddle and Duke Ellington were at their peak. He creates music that's truly intelligent, sophisticated, smart, joyous, and sexy. Because of his rich understanding of musical history, audiences love and appreciate his work - even if they can't explain why.
Looking at the industry, there are other wonderful dance arrangers – Glen Kelly, Sam Davis – whose work is admirable, but they don't have the leadership qualities to be a music director or work with actors. There are excellent arranger/orchestrator/music director types - Steven Oremus, Alex Lacamoire, Ian Eisendrat, Michael Kosarin - who excel in their roles but don't have the visual awareness David has for making music and visuals work together. There are pure orchestrators like Doug Besterman who are ideal collaborators, but they lack the social skills to bounce off everyone's creative energies.
David is ALWAYS in the room where it happens — working with dancers, actors, and musicians — and he's a great time. He has phenomenal "ears" and an incredibly chill and positive energy. He is passionate, dedicated, equanimous, unflappable, patient, and fucking smart - he has an astonishingly large mental storehouse of trivial information. Outwardly humble and secretly extremely confident, he makes people laugh.
He's probably the most important man in theater in the 21st century. He accomplished astonishing things as an arranger, and no one really knew who he was until the Tony Awards. I feel a very deep kinship with him and the way he approaches music. His "still waters run deep" approach and progressive disclosure of knowledge make his work fascinating to study. He's committed to teaching and promoting folks to learn and grow in their way. His approach of "research, research, research" and "data over dogma" makes him a beacon of intelligence and reason at a time when many manipulate the arts for selfish purposes.
His brain works like a puzzle master. He achieves Genius level on the NYTimes Spelling Bee every morning and completes several other puzzles ritually. He's a philologist – he loves linguistics, language, and wordplay. He studies the history of English and its etymology. Currently learning German; someday, he'll learn Latin. When the industry shut down during COVID-19, instead of arranging music, he arranged several rock walls around his home.
David isn't impressed by celebrities or fame, nor is he jealous or envious of anyone in the industry. He focuses on collaborating with anyone with a strong vision or point of view. He's fully committed - doesn't deal with any bullshit and egos. His greatest professional asset is speaking with authority while remaining respectful of everyone around him.
He's raising the profile of arrangers in theater and advocating for health insurance and pension benefits for arrangers. Everything he's done showcases the stories and histories behind the music. He wants to be remembered as a teacher and encourager of those younger than himself. He teaches at NYU and has led masterclasses at Berkeley, living and breathing music in a way that brings any piece to full life.
I just want to be a sponge around him and soak in all of his years of experience. That's why his new website, DavidChaseMusic.com, is like a treasure trove - housing all the stories and histories behind his extraordinary work.
David is a good person who loves his wife and kids deeply and has a great time with them. He's a good friend. He sings really well, too!
I have so much respect for him and am thrilled he's receiving an Honorary Tony Award. It's well-deserved recognition.
— Chase David
Stewart Lerman
Trude Rittman
Oscar Hammerstein
John Ferris
Dan McClellan
Nelson Riddle
Billy May
Juan Garcia Esquivel
Gene Puerling
Kay Thompson
Count Basie
Duke Ellington
The Experience
DavidChaseMusic.com
Living Library
“Explore the stories & histories behind them”
“Still waters run deep”
Progressive disclosure
Aesthetic
Classic and timeless - but vaguely mid-century modern
High quality at a good price
Well-made but slightly quirky, eclectic
Homespun
Tone
Muscular: strong POV and fucking smart
Formal, intelligent, and sophisticated - but with a bit of whimsy and playfulness
A raised eyebrow
A wink
New words: musiturgist, guzzinta, guzzoutta
Fonts
Formal
Smart
Modern
Playful
Colors
Rich and deep navy blues
Hints of green
Heathered grays
Magic
Dynamic animations (signature, between pages)
Video Backgrounds
Classic & Timeless Headshot
Vertical (2:3) headshot for Broadway Playbill or program with The Boston Pops, Essential Voices, etc.
Can be artful with glasses, chiaroscuro, profile from side or headshot from above
Drop into chair, lean on desk, peek out from wall, etc.
The Music Man
Light and airy — effortless artistry and penultimate master of craft
At the piano: playing, arranging, leaning on, leaning over, underneath, in the background
Mixing board, awards, desk
Columns, wood paneling, no windows, dramatic lighting — creative den
Naturally New York
Natural sunlight, calm
NYC is a selling point.
David’s Documentary
Bring photographer to busy days: teaching music, sitzprobe, wandleprobe, cast recording, etc.
Whether a long run or a special one-night-only event at Lincoln Center or Carnegie Hall, consider hiring a photographer
Before: outside theatre, inside house, from the balcony, from the stage, from the pit
During: from the wings
After: from the balcony